Over the last twenty years, a concerted effort has been made to uncover the history of the Holodomor, the Great Famine of 1932–1933 in Ukraine. Now, with the archives opened and the essential story told, it becomes possible to explore in detail what happened after the Holodomor and to examine its impact on Ukraine and its people.

In 2008 the Ukrainian Research Institute at Harvard University hosted an international conference entitled “The Great Famine in Ukraine: The Holodomor and Its Consequences, 1933 to the Present.” The papers, most of which are contained in this volume, concern a wide range of topics, such as the immediate aftermath of the Holodomor and its subsequent effect on Ukraine’s people and communities; World War II, with its wartime and postwar famines; and the impact of the Holodomor on subsequent generations of Ukrainians and present-day Ukrainian culture. Through the efforts of the historians, archivists, and demographers represented here, a fuller history of the Holodomor continues to emerge.

Drawn from a Festschrift honoring George G. Grabowicz, the essays in this collection examine central issues in Ukrainian literature and culture with special attention to the comparative and deconstructive approaches that reflect the honoree’s own work. All major time periods are covered: the onset of literacy in Kyivan Rus´; the cultural intersections of the early modern period; the gradual but persistent articulation of a national discourse in the new imperial reality (culminating with the defining figure of Taras Shevchenko); the vagaries of the long nineteenth century; twentieth-century modernism, ideology, and scholarship; and Ukraine’s intellectual position today.

The essays also variously explore the interface of literature, language, theater, and film, and touch upon the strictures and distortions imposed by censorship and ideology, uncharted currents of reception, and the interpretation of key texts, particularly the light they shed on the “political unconscious.” Special attention is devoted to the transnational functions of Ukrainian literature in the modern period. A full bibliography of Grabowicz’s foundational contribution to the field completes the collection.

This book collects nine articles that originally appeared in the journal Harvard Ukrainian Studies and that arose from the Harvard Ukrainian Research Institute’s Millennium Project, an initiative launched in the 1980s to celebrate one thousand years of the Christianization of Kyivan Rus´. The articles cover a wide array of subjects: the ecclesiastical structure of the Christian Church in Rus´ in its earliest period (Andrzej Poppe); the conflict between Orthodoxy and the Uniate Church from 1569 to 1700 (Teresa Chynczewska-Hennel); an account of the Uniate Church and the partitions of Poland (Larry Wolff); the transformation of the Greek Catholic Church under the Austrian Empire (1848–1914) (John-Paul Himka); the Greek Catholic Church in the period between the two World Wars (Andrew Sorokowski); a rethinking of the relationship of Church and society in Galician Ukraine from 1914 to 1944 (Bohdan Budurowycz); and the Russian Orthodox Church in Ukraine during the interwar period (Bohdan Bociurkiw). The book concludes with a bio-bibliography of Bohdan Bociurkiw, a scholar who devoted his career to the study of Ukrainian Church history (Andrii Krawchuk). These essays provide new insights and a fresh perspective to the discipline.

Italian doctor Leonardo Pazzi and Alcesta, his “future lover,” travel through the picturesque, hilly region of Sloboda, near Kharkiv in northeast Ukraine. They experience a series of encounters with local Ukrainians and nature, disappearances, and transformations filled with paradoxes. The characters are bright, marionette-like caricatures whom the author constructs and moves ostentatiously in full view of the reader, revealing his artistic devices with a sense of absurd, mischievous humor.

A novel of exuberance and whim that deconstructs the very principles of writing and estranges everyday phenomena, Dr. Leonardo’s Journey marks the highpoint of Ukrainian modernism right before it was violently cut down by Stalin’s repressions. The novel shifts away from character or plot as such and instead celebrates the places and spaces in which these things come into being, and the sheer joy of movement and experience. In this sense, Maik Yohansen’s heroes echo Mykola Hohol, whose tour through Russia’s vast spaces in Nikolai Gogol’s Dead Souls is an obvious reference point, and Laurence Sterne, whose irreverent narrative style and textual games Yohansen emulates. Presented here in a contemporary, deft English translation, the novel is a must read for everyone interested in discovering the rich heritage of Ukrainian modernism.

The years 2002–2003 marked the seventieth anniversary of the man-made famine inflicted on Ukraine and surrounding areas by Stalin’s Soviet leadership. The Harvard Ukrainian Research Institute commemorated the anniversary with a symposium in October 2003 titled “The Ukrainian Terror-Famine of 1932–1933: Revisiting the Issues and the Scholarship Twenty Years after the HURI Famine Project.” This volume contains some of the papers presented at the symposium (previously published in Harvard Ukrainian Studies volume 25, no. 3/4), including Sergei Maksudov’s large-scale demographic study drawing on available documents of the era; Niccolo Pianciola’s description of the denomadization famine in Kazakhstan from 1931 to 1933; and Gijs Kessler’s study of events in the Urals region from the same period. Also included in this volume are Andrea Graziosi’s remarks on the present state of Famine scholarship and how it addresses the question of genocide, Hennadii Boriak’s assessment of the current state of source material, and an essay by George Grabowicz on the legacy of the Famine in Ukraine today.